allumettes003 by pilllpat (agence eureka) on Flickr.

The photography of Arthur Mole & John Thomas.

Ana Vujovic

By the unification of architecture, sculpture and painting a new… - but does it float

“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her.  She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted. 
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly.  “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”
this is why performance art is important

#Alain Clément

Lancia Stratos Multicolor.

Ab Jenkins sitting inside his “Mormon Meteor” on the Bonneville Salt Flats, late 1930s. Photo courtesy of the Special Collections Archive at the J. Willard Marriott Library, University of Utah.
(via Utah Communication History Encyclopedia)

Bob Zeni & Assosciates 
By: Nadine Nakanishi & Nick ButcherDate: 2013Edition: 217Colors: 5-color screen print

Richard SerraInside Out, 2013 Weatherproof steel 158 x 982 x 482 1/2 in.

Work Obey Consume